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CHANNEL BLAST: Rossatron Dives Into The World Of Shaky Camerawork In His Newest Video
I think it's a terrific thing anytime someone comes out with a video essay critiquing how action is observed on film. Tony Zhou and Chris Stuckmann did it awesomely in 2014 and portals over at Film Riot and John Nguyen's Indie Action Tutorials are all exemplary in this matter among others as they each showcase their take on how action and fight choreography should be approached.
More notably, in nearly each case, the conclusion deals greatly in the consensus stemming from the proverbial elephant in the room: Shaky Cam. It sticks out like a sore thumb for many a film fan and critic, while it is inherently worth mentioning why the method of vigorously maneuvering the camera during a key stunt or fight scene has become so consistent in major motion pictures, and YouTube user Rossatron is here to delve quite a bit on that matter with his new video essay, Let's Talk About Shaky Cam.
By about the six minute mark, he leaves off with some terrific points and facts about how action is shot for major blockbuster movies, dealing with issues that mainly have to do with conserving money and expenses. By this, he also paints a stark picture that shows how action films are treated between large and small scale movies in an analysis that also sheds light on the importance of supporting smaller productions with artists who are apt on how to achieve quality action.
Personally, I have always felt there was a specfic formula that big movies abide by in shooting action and to be frank, it's also embodied why I enjoy reviewing smaller films a bit more compared to major films as you're basically weighing in on the studio's decisions and not so much as the immediate filmmakers. At any rate, this really is a must-see and is worth every second if you care about making coherent action design relevant again in action cinema. Watch and comment below with your thoughts on it!
Currently stemming from Florida's independent film scene is Victor Rios with his directorial debut, Fury Of The Dragon. Rios helms from the creative auspices of 333 Pictures and Frank Films, and cinematographer Armin Alic who co-helmed the 2015 indie action thriller, Room 236., and with a cast that brings actor Lilo Brancato and Wade Williams to the forefront of the tale of a mysterious vigilante on the streets of America and a detective who may or may not be out to stop him.
The film is currently in production with plans currently set for its own trilogy and it's early days at the moment. In the meantime, peep the teaser below and stay tuned for more info as it arises.
It was to be expected since its confirmation in late 2015, and now it looks as if things will officially take shape for the spin-off corner of Universal Pictures's Fast And Furious saga. On Friday, new report from Deadline presented news on good terms that the studio is keen on efforts to manifest a spin-off that will join action movie stars Dwayne Johnson and Jason Statham in their own movie with a script by franchise scribe Chris Morgan.
The news comes following the latest release of the eighth installment of the high speed action movie franchise, The Fate Of The Furious, and while I won't divulge the specific twists and details that outline the prospects of this union, the film did greatly in invoking a buddy element that would bode well for both actors in their current positive chemistry. Ironically it also comes in the wake of other news that the film would have been signaled by an end credits scene filmed by producer Neal Moritz with Johnson and Statham featured which F…
Martial arts action star Scott Adkins is currently treading the streets of Thailand as one of the key antagonists on the set of Jesse Johnson's ensemble action thriller, Triple Threat. In the meantime, post production is already underway for the previous completion from the duo with an adaptation of British comic book thriller, Accident Man which Adkins also produces.
On Saturday, Adkins took to social media to unveil the first official still from the production which takes its cues from creators Pat Mills and Tony Skinner whose once popular Toxic! publication manifests the story of an assassin who disguises his hit jobs as everyday, ordinary accidents. Adkins himself described the film as a dream project from the age of fifteen, telling followers, "I fell in love with the comic book, always knew it would be an amazing movie. I co-wrote, produced and of course star and I am very, very proud of this film and I know you guys are going to love it too." Adkins writes with co-s…