A site dedicated to discussing a variety of action & martial arts film entertainment. The written and expressive work of the author(s) of Film Combat Syndicate is/are protected by Copyright Law. To send us scoops or share your inquiries, email us at firstname.lastname@example.org.
Subscribe to this blog
Follow by Email
STREET FIGHTER: RESURRECTION - Episode 4 Summary & Review
I should start off by saying this: I have had the best time covering any and all things Street Fighter-related, and specifically when it comes to the recent webseries efforts. Street Fighter: Legacy led the way in 2010 with Owen Trevor and Joey Ansah presenting a fantastic proof-of-concept that finally got the ball rolling for what eventually led to the hit 2014 webseries/feature film, Street Fighter: Assassin's Fist. Now, in the wake of a new game as of last month, we have Machinima's newest presentation, Street Fighter: Resurrection to whet the appetites of fans until we he hear more on the forthcoming Assassin's Fist sequel, Street Fighter: World Warrior. That said, those of you who are slightly more familiar with the possible story elements of the game franchise may have a few more ideas than people like myself about how World Warrior will play out after Resurrection when all the pieces are finally put in place. For now though, we get something very exciting and visceral from Ansah sitting back in the director's chair since Assassin's Fist, and with a miniseries that reads very much into a possible third major series after this, and honestly, I'm already sold.
Street Fighter: Resurrection brings Mike Moh and Christian Howard back into the fray as Ryu and Ken following a mysterious omen during Ryu's journey of solitude and Brazillian Jiu-Jitsu heiress Laura Matsuda's emergence at Ken's gym. Soon enough, a challenge from the once-presumed dead Major Charlie Nash sets things in motion for a major Interpol sting operation in London with our heroes summoned as "outside contractors" to observe the mission as all signs could point to the likely resurgence of the global criminal organization, Shadowloo. Alas, we now come to the conclusive fourth episode , "Countdown", which picks up where last week's episode left off as Interpol's mission to infiltrate the sellers of a mysterious weapon goes haywire. In the heat of gunfire, loyal Bison Doll, Decapre, barely escapes with the weapon - Dark Hadou Bomb that was initially intended for Interpol's capture, and receives immediate orders via earpiece to set the bomb off and destroy everything in sight. With destruction looming, Laura intercepts Decapre and an intense battle ensues with Decapre wielding her deadly claws and going in for the kill against Laura's electrifying fighting prowess. But the bomb is ticking, and with Nash acting presumably on his own accord, it will be up to Ken and Ryu to move in before Nash goes too far.
Much like Street Fighter: Assassin's Fist, everything in the last four weeks has built this series up almost perfectly for fans who have been disenfranchised by Hollywood's previous efforts to bring the beloved Capcom property to life on the big screen. Everything from the attention to detail in costume design, fight choreography and set pieces to editing and overall acting and drama are all key to the many positives about this series. Sure, some things could have been fleshed out more, although that may have helped if the series were bigger in size and budget.
Natascha Hopkins returns to the series for the show's explosive finale as Laura opposite Decapre, played by Katrina Durden. As far as critiques go, the fight gets a teeny bit frenetic in a few angles. Other than that, most of the action plays out in fantastic shape with great sequencing and cuts while fans finally get to see Laura tap a little more into her special abilities, on top of exhibiting yet another watchable and notable action gem from an experienced filmmaker with a passionate vision for action and storytelling. Durden brings an imposing and ferocious presentation as Decapre with some glistening moments that echo deeper into her portrayal, making Decapre even more interesting and intriguing to watch as she was last week. Moussi also returns to role of Nash, and, in turn, continues to impress meittle by little as an actor capable of performing all the necessary tasks required for a role dramatic on some level. He looks and executes the part of Nash excellently, marking this as one of several great firsts in acting along with skilled folks like Hopkins and Durden.
The series ends on perhaps the best, most HIGHEST note I have ever hoped for in a webseries, let alone Ansah's treatment of Street Fighter, and all thanks to a rewarding cameo by Transporter 3 and D.O.A.: Dead Or Alive co-star, actor and martial artist Silvio Simac in full-fledged form as the sinister Shadowloo crimeboss, Bison. The costume itself is just awesome - black cape, red suit, dark features, shoulder pads, glowing Psycho fists and all, and I've only ever imagined a role like this for Simac in the last two years, which really does make this a dream come true for me as a fan. Bison is a character many of us have waited for for more than two decades since late actor Raul Julia left us with an albeit memorable iconizing of said villain, and with Ansah and co. at the forefront of a new movement in filmmaking for the video game niche, Simac's tease here, as rewarding as it is, is only the beginning.
Joey Ansah's direction for this saga is not one to be taken for granted. Not commercially and definitely not from a corporate viewpoint; Anyone and everyone who loved his work on Legacy and Assassin's Fist DESERVED to watch this series as simultaneously as folks in North America did, and it's a shame that Machinima's content deal with Verizon got in the way of that.
All else aside, I'll leave on this final note: I love this series, I love the direction in which everything is going, and I love Ansah and the cast and crew for making this project happen. I love the fact that this movement is being led by film professionals who not only love acting as well as martial arts, but have woven a formula together for vision that fully redefines and revitalizes what it means to take a videogame and adapt it to film and TV, and I love the prospects that await this series and all its participants. I love how lucky Ansah has been with all the hard work he's put into making these projects into a set-in-stone reality, meeting and working with people like Howard and Moh who have all but shown the truest devotion to charcters as iconic as these. I love that Ansah took a chance on people like Moussi, granting martial arts fans a chance to see him much earlier on camera as an actor, lest we wait longer to see how well he bodes later this year in Kickboxer: Vengeance. I love that someone like Hopkins is under my radar, as beautiful and athletic as she is, and in a role that fully invites someone with her looks and delightful screen charm, and that someone like Durden comes our way to give us a screen villain that immerses us even further into the saga. Moreover, I love that fans are taking notice and are supporting the hell out of this movement to give it the traction it needs, because it takes the masses to make something like this possible, even if the chances are slimmer than we prefer them to be.
Needless to say, until Ansah screws this all up, you won't hear me complain one bit. I, and the rest of the world, wait with bated breath for World Warrior, and I couldn't be more ready for it than I am now.
The Greg and Colin Strause-directed, independent 2010 critical sci-fi flop, Skyline, left a huge enough dent in box office earnings to warrant some wiggle room for a sequel. Enter Liam O'Donnell, having worked his way up from VFX work on several projects, as well as co-scripting and producing the first film and now sets his sights with a sequel as his directorial debut in Beyond Skyline - a film that by some accounts probably wasn't expected to happen or even supposed to. It had been four years since the first film and so no one would see an announcement up until 2014, surprising everyone curious and keen, and not for nothing either. The added touch of throwing in people like Iko Uwais and Yayan Ruhian would certainly pepper the hype up to a certain degree for fans fond of their work on Merantau, The Raid and it's sequel; The mere thought of seeing the two for nothing short of an eyeblink in 2015's Star Wars: The Force Awakens would be enough to ensue an outcry a year l…
We're continuing the Five-A-Day column today listing, and in no certain order, various action film titles fans may be keen on going into the new year. Here's yesterday's batch for starters and below are today's:
Legendary actress and martial artist Michelle Yeoh is reportedly the In Focus subject for the forthcoming International Film Festival & Awards Macao which takes place between December 8 through 14. It makes an even worthier note of the Star Trek: Discovery series co-star's forthcoming appearance Yuen Woo Ping's pending Ip Man spin-off, Master Z: Ip Man Legacy in which actor Max Zhang reprises Cheung Tin-Chi, the role he played opposite action star Donnie Yen in the 2016 kung fu hit, Ip Man 3. Details on all ends are pending for the film which also has Dave Bautista and Tony Jaa in its line-up.
Jimmy Henderson's third directorial offering, Jailbreak was a festival favorite among cinephiles and genre loyalists alike. Rising stars Jean-Paul Ly, Dar…
I just spent all afternoon trying really hard to understand why Alita: Battle Angel looks the way it does now...And I can't. Granted, I imagine it'll be a fun and fantastic spectacle for some when it hits theaters but I'm with the choir on this one. At first glance with actress Rosa Salazar in the title role, this might as well have been a Pixar movie.
Holy shit. Visionary filmmakers James Cameron (AVATAR) and Robert Rodriguez (SIN CITY) create a groundbreaking new heroine in ALITA: BATTLE ANGEL, an action-packed story of hope, love and empowerment.Set several centuries in the future, the abandoned Alita (Rosa Salazar) is found in the scrapyard of Iron City by Ido (Christoph Waltz), a compassionate cyber-doctor who takes the unconscious cyborg Alita to his clinic. When Alita awakens she has no memory of who she is, nor does she have any recognition of the world she finds herself in. Everything is new to Alita, every experience a first. As she learns to navigate her new lif…